RSS

Tag Archives: Lizzie Borden

Inside Lizzie Borden’s Renovated Maplecroft

Created by author Rebecca Pittman – The History & Haunting of Lizzie Borden.  Enjoy.

BTW, while I think Kristee Bates has done a very good job in renovating “Maplecroft”, I still do not think this is how Lizzie had it furnished and decorated in her day.  Lizzie selected only the very best of furnishings, fixtures and equipment because she could well afford it.  Her home, which she nurtured and lovingly maintained as if it were her child, had the very best appointments.  She bought only “the very best”.   Kristee worked on a budget and it does not escape the discerning eye.  Nonetheless, it is still beautiful and representative of Victorian homes of the 1890’s.  However, one only has to go to the Fall River Historical Society  or the Easton Tea Room (1870 Alexander Dorrance Easton residence also owned by the FRHS) to see the high quality wallpaper and exceptional quality furniture donated over the years.  The difference is remarkable and unmistakable.  There one will find furniture and fixtures inside these two establishments closer to what “Miss Lizbeth” would have had in her own home.

While the precise decade (1893 to 1927)  Maplecroft’s renovated interior  is reflecting is unclear, the Lizzie Borden Bed & Breakfast Museum is furnished exactly as it would have been on August 4, 1892.  Aspiring and inspired detectives can play out what they know or suspect of the crimes with a full and thoroughly captivating  “stage”.   Kudos to the original “set decorators” and Kudos to General Manager Lee-ann Wilber  (since 2004)  and owner, Donald Woods,  who have not altered  its base authenticity.

And a special Kudo to Rebecca Pittman for providing us with the first ever video showing the interiors of both the Second Street and French Street homes in which Lizzie lived the entire first half and entire second half of her life, respectively.   Well done!

 

Tags: , , , , , , ,

It’s Lizzie Borden’s Hair Again – This Time Being Sold on eBay

UPDATE: Some fool paid $260! http://www.ebay.com/itm/291990475406?_trksid=p2060353.m1438.l2649&ssPageName=STRK%3AMEBIDX%3AIT

eb-notehair1a eb-hair

s-l1600

Well, it’s been nearly 8 years but the scam has surfaced again – this time on eBay. 

Before you get too excited take note I was contacted via an email from one “Robert S——” on May 15, 2009, looking to sell the very same thing as evidenced below:

From: Robert S——
Sent: Friday, May 15, 2009 6:50 AM
To: Faye Musselman
Subject: Emma Borden Letter

Greetings from Baltimore.   I have a purported Emma Borden letter.  I am wondering if I sent you a scan of it, if you could just see  if it looks like it is real.  Nothing official, just an off the record opinion.  Thank you for your time.  Regards,

Robert S——

I replied and we communicated further – and I did a little investigation on this which supported my immediate skepticism.  Read all about here in this blog posting I did at the time.

 
Leave a comment

Posted by on January 9, 2017 in Collectibles, Just for Laughs

 

Tags: , , , , , ,

Christmas Parody on Lizzie Borden by Garrett Heater

lbplay1

THE best play on Lizzie Borden, bar none,  is Lizzie Borden Took An Axe by Garrett Heater.  So I was particularly pleased to receive this information:

“Hello old friend!
 
I hope this finds you well!
 
“Lizzie Borden Took an Axe” wrapped up a 3rd consecutive sold-out run at the Barnes-Hiscock Mansion in Syracuse this October! Some of the cast members and I even squeaked in a trip to the Fall River bed & breakfast! 
 
During the run of the show we decided to create a short skit: “A Borden Family Christmas.” There are plenty of gems in it to keep the most orthodox Bordenophile laughing. We had such a blast making it.
 
Here is the trailer we released in November: “
 

This video is very funny and very “inside”.  I love it!

Some years ago I did my own parody – cllck below.

Scroll down to “It’s a Wonderful Life – when Deadwood was still on HBO.

If you ever have a chance to see Garrett’s play, BUY TICKETS IMMEDIATELY!!

 

 

 

Tags: , , , , ,

New Book on Lizzie Borden Unlike Any Other

dscn7277

Been reading Rebecca Pittman’new book which is unlike any other Lizzie book written to date. This 826 page marvel shows deep research, surprisingly probable speculations, and is an overwhelmingly thrilling read. There is a generous number of images – many never seen before in this stunning work. In the “A New Address” chapter readers will find exclusive post-renovation interior images of “Maplecroft“, the home Lizzie lived in the entire second half of her life.

In the “Interviews” section we find a “coming together” (inside joke) of the three major Borden Blogmasters,, i.e., Shelley Dziedzic, Stefani Koorey, and moi revealing our embryonic interest in the case, etc.

I’ll be doing an in depth review when I finish reading this book and after I return from an overseas vacation.  Meanwhile, don’t wait.  Buy it!  Available at Amazon.

 

Tags: , ,

NEW FALL RIVER HISTORICAL SOCIETY WEBSITE IS A STUNNER!

The Fall River Historical Society has just premiered their long awaited re-constructed website and it’s a stunner!  Of course the menu tab has “Lizzie Borden” but contained therein will be found thrilling to Borden case researchers.

The curating and organization are exemplary.  Outstanding all around.

 Here’s a photo sampling from the various “Collections”.  I’m not going to explain what they are or who they are because if you are reading this you need to go to the site and emerge yourself.   Here’s the LINK.

fleet2web21 elmstweb frankknowlton1 holmes-pine-street lindsey3web

husbandwife

“HISTORICAL NOTE

Mrs. George S. Brigham was an intimate friend, confidante, and staunch supporter of both Emma and Lizzie Borden and, as such, figured prominently in events following the Borden murders. She remained a lifelong friend of Emma Borden, but severed ties with Lizzie subsequent to the Borden sisters’ estrangement in 1905. Privy to a great deal of personal information pertaining to the Borden sisters, she decisively refused to discuss, either publicly or privately, her friendship with the two women, or her involvement in the case.”  -from the FRHS website – Lizzie Borden Collections – The Brigham Collection

 

Tags: , ,

328 French Street Being Sold – Michael Brimbaugh and Stefani Koorey Move Out

OLYMPUS DIGITAL CAMERA

2006

12016

1aa

This image shows a side view of “Maplecroft’s” garage, not often seen.

The property next door to “Maplecroft” (as shown above) owned by Michael Brimbaugh, has been on the market for over two months.  Brimbaugh and girlfriend, Stefani Koorey, have moved out after making improvements and prepping the property.  Brimbaugh is building a new home in Westport.

Read Herald News article HERE with photos of interior.

This house was once owned by Lizzie Borden, indirectly. She had
instructed her business manager, Charles Cook, to purchase the home in
his name in 1926 the year before she died. When she passed away in
1927, this house was part of her estate.

“According to Len Rebello, in Lizzie Borden Past & Present (1999), “Charles Cook
sold the Henry property (house and land next to Maplecroft) to Mary K.
Buxton on March 14, 1928, for $10,000 but did not record the sale to
Lizzie’s estate. The property was purchased in December 1926, for
$12,000 with Lizzie’s money. However, the deed was in Mr. Cook’s name.
Lizzie had purchased other property and deeded it with Mr. Cook’s name
as trustee for her. This was a practice to avoid publicity. Lizzie paid the
taxes on the property and all repairs. Mr. Cook claimed it was Lizzie’s
intent that he have the Henry property when she died. Grace Howe and
Helen Leighton contested. They wanted the proceeds back in Lizzie’s
estate. The Probate Court ruled in their favor. The proceeds were placed
in Lizzie’s estate at a 6% interest rate. The decision of Probate Court was
appealed and heard at the state Supreme Court in Boston in 1932. Mr.
Cook claimed that the “Bristol Court had no right, while considering his
accounts as executor, to hear evidence as to the ownership of the
property.” (“Borden Case Before the Full Bench,” Taunton Daily Gazette,
April 8, 1932: 2) The Supreme Court agreed with the ruling of Probate
Court.”  from Every House Has a Story

Meanwhile, “Maplecroft” owner, Kristee Bates, still struggles with bringing her property up to compliance with various codes in accordance with permit processing and issuance –  a costly endeavor.  Also, the once announced Leonard Rebello and Bill Pavao as co-curators have long disappeared from the scene due to differences of opinion in the renovations (more on that later).   But at least Kristee will no longer have that invasive “hawkeye” peering from her now vacated neighbor.

 

Tags: , , , , , ,

If You Could Have Only One Book on Fall River’s Lizzie Borden – This Would Be It.

Click HERE

 

1

Prepare yourself – – this book is justly warranted, as well as worthy, of such a lengthy review.

Exquisitely produced, brilliantly structured, thrilling and groundbreaking in its content, Parallel Lives – A Social History of Lizzie A. Borden and Her Fall River is a seven pound, 1,179 page, ten-years- in-the-making epic that had it been written as a historical novel it would be right up there with Roots, The Secret Magdelene, and Gone With The Wind. It is a book of transformation and revelation – transforming in the way it compels readers to alter their mental landscape when thinking of Lizzie Borden, and filled with stunning revelations that meticulously dissect rumors and legend long thought to be truth. It is so rich and full it would constitute several Master’s Thesis, multiple biographies, and even a few individually published books based on its title. Indeed, it is so spectacular in scope and content, all future authors who write of Lizzie Borden must incorporate information from Parallel Lives or find their work irrelevant.

The book is a treasure trove of new information about Lizzie taken from the journals, letters, cards, photographs, artifacts and remembrances of those that knew her personally, much of which was coveted by their owners who were resolved in their belief that Lizzie “could not have committed those crimes.” Their beliefs and tangible mementos were passed down to third and fourth generation descendents who continued to keep them sequestered and private until trusted relationships were established between them and the authors.

Masterfully woven within the new information are expanded stories of known individuals and events (some prominent, some little or previously unknown) that had an impact on Fall River’s history and society.  The authors have beautifully crafted the world in which Lizzie Borden lived (from her birth in 1860 to her death in 1927). And while the crimes of August 4, 1892 are presented, allusions to or fresh insights on whether or not Lizzie was guilty are not presented. In fact, the murders and who did them become almost inconsequential to the broader tapestry presented throughout the chapters with its more than 500 photographs and other images, including 5 new images of Lizzie never seen before. Who committed the crimes or the case itself, are overshadowed by the depth and breadth of all that which deals with the people and stories within.

The book progresses almost chronologically in terms of events of each decade. People are often introduced in chapters with no mention of Lizzie but later re-introduced in the decade in which they factored into her life. The chapters are so beautifully written and the photographs so beautifully reproduced within the book that we can almost feel the silk and lace as we read their wonderfully detailed descriptions. We can rub our finger across the image of a pocket watch and feel the grooved indentations, or one of Lizzie’s traveling suitcases and feel the contrast of the brass to the leather. We can smell and see the wedding flowers and the sparkle of jewelry at the Assemblies and grand parties. The meticulous effort in the use of adjectives is remarkable. It is fairly obvious the authors wanted to be as accurate and precise as possible when applying descriptors to people, places and things.

The “reveals” of new information and closure of legends are bountiful and thoroughly engaging. We learn so much of Mary Ella Sheen (Mrs. George S. Brigham) and her sister, Anne Eliza Sheen (Mrs. William Lindsey, Jr.), two sisters whose lives took very different trajectories. Mary was Lizzie’s friend since girlhood and the future mother-in-law of Florence Cook Brigham, but Anne had been her friend as well for most of their lives. Anne was a “Grand Dame” and lived the kind of life that Lizzie most probably would have wanted for herself. We also learn that not only was Grace Hartley Howe such a close and devoted second cousin to Lizzie, we discover that Helen’s mother had a friendship that also was life lasting with Lizzie.The reveal of the true identity of “Todd Lunday” would have been anticlimactic had it not been for the intriguing story associated with it, or the story of Officer Phillip Harrington and police reporter Edwin Porter who penned the Fall River Tragedy and why Porter may have left Fall River so soon after its publication. Nor have we read anywhere the connection of reporter McHenry and City Marshall Hilliard. (I suspect that many “reveals” were derived from the so called “Hilliard Papers” which have been in the Society’s hands for 22 years).

We learn certain elitist members of the seven “first” families did a fine job in two-facing Lizzie after the Trial; they “cut” her quite severely and most obviously spoke of her “guilt”- handing down their opinions to their children who maintained those opinions and passed them down to their children. On the other hand, those that kept friendships and believed Lizzie was not and “could not” be guilty passed that info down to their children. The difference was that many of those who believed in her guilt spoke out, influenced by a biased press and the embryonic beginnings of misinformation that would grow with a sinister sustainability. Between those that “cut” (socially banished) her and the relentless and continuous newspaper coverage, the damage had been done. She endured that damage throughout her post-Trial life, and it subsequently served to give us a Lizzie Borden that is so grossly mis-characterized in contemporary pop culture.

dennis-michale

Mr. Martins and Mr. Binette have stated it was only when they explained the kind of book they were writing and, more importantly, after a solid basis of trust was established, that the possessions and remembrances were revealed. I strongly suspect much of what may have been was done so with soft-spoken caveats or perhaps some asserted caveats along the lines of:“Well, you may use these journals (or photos, or letters, or cards, or remembrances) but I trust you will present Auntie Borden (or Lizzie) in a good light because she never could have done those murders.”And/or:”I would consider it a great injustice to finally make this information known if it were used to give a poor impression of this wonderful woman or lend any credibility to the horrible reputation she endured during and after her life.”For decades, the curators of the FRHS have been meticulous in documenting the “drop in” visits or phone calls from people – many descendents of the principals – as to what they had to say and when. These “notes to file”, so to speak, have been preserved in their respective file folders and filed with the relative topics. These contain more of the “reveals”, some as surprising as finding out JR getting shot was only a dream, or Scarlett realizing she loved Rhett all along, or Edward glistening out of the cloud bank. As stated, the revelations are thrilling and and transforming.

The authors were literary craftsmen in the way they told these stories, presenting the information from the journals or letters, and in detailing information about the people involved without trumpeting a new path but sufficient to give you pause. The book is peppered with phrases such as: “Is it possible that…”, or “Although we can never know for certain, could it be that…”, or “Would it seem likely that…” and we pause on the page and hearing ourselves utter “hmmmm” and suddenly realize we are thinking things differently.

The End Notes are extraordinary and I found them thrilling to read. When reading, one says: “Where did they get that from?” and we go to the End Notes which are flush with information. Our eyes don’t just stay on the sight bite but naturally scroll downward until we know where most all the information for that chapter came from. The End Notes tell us more about relationships and just who had what information and for how long. The End Notes help us identify what came from FRHS “notes to file” as opposed to who held on to what for decades and allows us to identify from where the bulk of new information came.

Lizzie Borden has long been encapsulated in pop culture based on an inaccurate quatrain characterizing her as a one dimensional psychopath wielding a bloody axe. Parallel Lives has irrevocably transformed and revealed Lizzie Borden to be a three dimensional flesh and blood human being with heart, spirit and soul. Indisputably, this is the new “go to” book which researches and scholars studying the history of Fall River during its rise and decline, as well as the woman herself, will discover impossible to find anything more definitive or comprehensive, more exciting or enlightening.

aaaa

Parallel Lives is a monumental achievement and a body of work to make the entire Fall River Historical Society proud. It is representative of that level of excellence consistent in all endeavors of Messrs. Martins and Binette. It is truly a remarkable and unique work – the likes of which we shall not see again.

 
 

Tags: , , , , , , , , ,